It always happens. I sleep, I wake, I look at the painting/s I finished the night before, and I see several things to change. Can you see what I changed? (Other than color differences... that's just my camera's doing.)
Auggie and Winny... close to finished
Last night I had the company of Karen Zigler, who commissioned these two 8x10 oil paintings, as well as a terrific group of artists as I painted online. I signed both paintings, but I see a few little things I want to change/improve before setting them aside to dry. I made Gary nervous every time I drew a whisker on by scratching through the paint with an ice pick, but I think the whiskers really turned out well. Karen commissioned these portraits for her daughter who has the bulldog, and her son who has the kitten. Karen located me again after the 27 years since I had painted her and her husband (in pastel) on their honeymoon on Cape Cod. Cool.
Progress on three paintings tonight
This one above, 20 x 16, may actually be done now. I did sign it, but we'll see how I feel about it in the daylight.
I was really looking forward to some painting time tonight and started off a little earlier than the scheduled broadcast by moving the above painting, 20 x 16, along a bit. Not the best photo, but I'll be sure to get better photos when it's closer to done.
I was still in the mood to paint, so started this little commission below...
I'll probably work on it again tomorrow.
Again, I had great company while I painted tonight. I have to be one of the luckiest painters around. Thank you, everyone!
The blog workshop last Sunday went really well. I'm going to give the 7 artists a few days' head start, then post their blog addresses and ask you to support them. They are each very good artists who individually and collectively worked their fannies off setting up their blogs in spite of a wireless connection that kept blinking on and off. I'm delighted to have helped them get their blogs up and flying.
Invisible progress
Any artist will tell you that you don't have to actually paint each day to have spent the day on your art. One's art can be moved forward by conversation or silence or by answering emails or by packing a painting or by making a bank deposit or by taking a walk or by leafing through a magazine or noticing an unusual color combination or by extending encouragement to another artist or by trying a new frame or by stocking up on supplies or by looking at 42 artists' blogs and commenting on the 43rd.
I made invisible progress today, so there isn't a photo to post. I'm guessing you made progress, too.
Red Headscarf- palette knife start
This start was a mixture of exhilaration and frustration. I decided to have the pleasure of painting a non-commissioned painting between the commissioned ones, so during the Wednesday broadcast last night I toned this 16x20 canvas panel and waded in with a palette knife. I tend not to plan very far ahead when I paint, and I can see where toning well ahead of time would be a benefit. I struggled with his mouth throughout the three hours I painted. Also, I think my strokes became quite fussy quite soon. I'm going to stare this fellow down for a day or so and then see if I can sort him out a bit better.
As always, I'm grateful to the friendly, encouraging artists who kept me company as I painted last night. Group hug!
I'm only adding this PayPal Button to illustrate its use to the artists attending the blog workshop. The painting has not been completed. Of course, if you really want it....
Red Headscarf
16" x 20" (40.7cm x 50.8cm)
Oil on Canvas Panel
$600 with FREE shipping and handling in the US
E-mail me for International shipping rates or other inquiries.
Perhaps a finish of the Cute Couple from Houston
I've had the best company as I painted this portrait online. Thank you to all who jollied and cheered me along! I'll look at this portrait tomorrow to be sure, but I believe it's finished now.
Skype Portrait / Coffee Cup
Barbara Muir is a powerful force for good, a generator of happiness, and a fearless, expressive artist. I'm delighted to be in her orbit. I hadn't visited her blog in a few days, so sat down with my coffee this morning and peeked in on her world. I found that, along with a wonderful painting by Theresa Rankin, she'd posted the portrait that I painted of her via our Skype conversation a few weeks ago. Thanks, Barbara! If you'd like to see the video of the broadcast, go HERE.
A couple of weeks ago, I saw this painting on Barbara's blog and proposed a trade- her Skype portrait for the coffee cup painting. She agreed, so now this is hanging on my dining room wall. Yea!
Tonight I'll be painting online again... at 6 p.m. Texas (Central) time. Hope you'll wander over and chat a while! www.ustream.tv/channel/susancarlin
Daniel Greene's Critique of Renaissance
The judge for the 2009 Salon International was Daniel Greene. He holds a special place in my artist's heart because I bought his book, Pastel, in 1975 when I was turning 20. I completely devoured that book. That was really the only instruction I had, so it was very important to me. I've carried the book with me since and have shown it to students along the way. Yesterday he autographed it for me! (In the video you can see me clutching it as he critiqued my painting.)
Several of the exhibiting artists paid a small sum to receive his personal, but not private, critique. I thought it about it long and hard before signing up. I wasn't sure I was quite that brave. As it happened, there were perhaps 20 or more people watching and listening. Gulp. I was especially braced when it was my turn, since I was second-to-last of those receiving critiques, and he had not pulled any punches on those who had come before. He had pointed out positives, yes, and had been quite blunt about the problems. The first 40 seconds of the critique he was silent as he studied the painting. Excruciating, but I respect the thought he put into each critique he gave yesterday morning just after the Greenhouse Gallery's doors opened.
In the video, you'll see that at one point he obscured the painting. He pointed to the little girl's sleeve, and compared that lightness of value to that on the light side of her cap.
I'm still absorbing his comments- many unexpected positives and some helpful suggestions- and I know that they will help me as I paint in the future.
The Awards Banquet was held Friday, the night before the opening.
Carol Marine with her painting, Apple Soup, at the Awards Banquet. Attending the event with Carol made it especially wonderful.
Happy Susan.
This year the banquet was actually in the Greenhouse Gallery. Everything was beautiful.
Daniel Greene presenting his awards.
Saturday, the day of the opening and after the critiques, I spent the day at my gallery talking with happy vacationers, then returned to the Greenhouse Gallery with my friend, Karen, for the champagne reception. I got to meet the gentleman who had bought my painting, Strength, on Wednesday. What a pleasure! About an hour after I arrived, I was told that Renaissance had just been sold. The best part was that one of the other exhibiting artists bought it for her husband who had fallen in love with it. I got to meet them, and liked them both so much. I'm not sure he's been told yet. I believe she said it was a gift for their anniversary.
This was taken right after the critique, before the painting was placed back on the wall. I was still in a fog. Probably shows.
Mark Smith and Jim Janes are the brilliant ones who own Greenhouse Gallery. Here they are standing with Daniel Greene's choice for Best In Show. During the banquet, they each spoke about the important work that artists do- how vital we are and how we touch others with our work. I'm really thinking about that.
Today it felt good to spend much of the day in the kitchen cooking for Easter dinner. I feel a bit more grounded after a day home with family. I hope your day was full of sweetness and renewal.
Renaissance
The Salon International 2009 show is online as of today, and my heart is pounding right out of my chest. I just visited the page with my painting and got to see it in three different sizes as well as framed. When I clicked "View High Resolution Image" I think my heart stopped for several seconds before it remembered to beat again.
A little progress on the cute couple from Houston...
There's so much to tell you and so frustratingly little time to do that right now. I can feel the dials and knobs twisting in my head, changing my direction and focus in small but significant ways. I apologize to the friends who've left comments lately- I'm sorry I haven't replied personally to each I as was trying to do before. I appreciate you so much and I'll be more present in a week or so, I'm sure. I love your comments!
The Salon International banquet is tomorrow night and the opening is Saturday... I hope to have some photos to share from all the festivities.
Strength was purchased yesterday at the SAAL Museum. I've had a nice conversation with the buyer on the phone and hope to meet him Saturday during the Salon reception.
Does anyone remember the Happy Cowgirl painting I did in acrylic last year? (I cursed all the way through and had to replace my voice with music on the video) It was purchased today while I was out of the gallery to a woman who loves paintings of people in hats. I completely understand. I'm forever accosting people who are wearing hats to pose for photos. Yesterday I took several photographs of a fellow from New Mexico who came into the gallery wearing a cowboy hat. I just know he'll be in a painting sometime soon....
A very nice award for my painting, Strength.
Strength, oil, 20 x 16.
Today was so special. My parents and my daughter were all with me for the reception of the 2009 San Antonio Art League Museum Exhibition where I won a Contributors Award. I'll have to go back to the Museum later and really take my time looking at all the wonderful paintings and sculptures in the show. The reception was so well attended it was hard to see the artwork!
We went to Mom and Dad's afterward and made dinner, then got to play a hand of dominoes before heading home. We rounded out the evening by watching Beverly Hills Chihuahua on DVD. I admit I laughed out loud.... several times, actually. Go figure. It's been a very, very nice day.
Finish of two 8x10 portraits, progress on 16x20
I worked on the portrait of this wonderful couple for about four hours this afternoon and I like the corrections I've made and the direction it's going.
Below are the finished small portraits of the sweet looking children I've been working on. You'll have to imagine them varnished - the darks will "come back" then. Have I mentioned how much I love to varnish paintings? It's like magic watching paintings return to the rich color and proper values of when they were first painted.
Yesterday I received a photo of the pastel portrait I did for a couple 27 years ago on their honeymoon in Provincetown, MA, when I was one of 7 portrait artists in a studio there:
I even think I remember painting them... and that's saying something, considering how wacko my memory has been lately.
I see how much I've learned since then. I'm also acutely aware of how much I still have to learn.
Here's to the journey ahead for all of us!
Progress on 8x10 girl
I fully intended to participate in Nablopomo's blogroll this month and publish a post every day of April. Here it is April 3rd. Only 15 minutes into the day, but still I've missed two days already.
I want to at least post the progress on this painting of the little girl from the broadcast on Tuesday... I have more still to do on this one and on the one of her brother, but I like what I've done so far.
Beginning commissioned portrait from life
I had the best time today. This fun couple from Houston spent four hours with me at the gallery while I roughed in the beginning of their 16x20 oil portrait. I took several photos as references for later when I do the work of finishing it. I had them sit separately, taking turns as I painted. Both of them have excellent interviewing skills, so I'm afraid I talked a blue streak all the while. I managed to get the conversation focused on them in return toward the end and wished I'd done that sooner- they're fascinating.
It's unusual that I have so many portraits in the works at one time. I prefer to focus on one until it's finished and then start the next. But right now I have the two children in oil on 8x10 canvases, John Pototschnik on 18 x 24 canvas, the woman from the newspaper clipping on 16x20 and now this new one- all in progress. Next week I take photos for a very large portrait of a 14/15 year old girl, and there's another waiting to begin- a fairly large one of two children. But somewhere in there I need to do my taxes. So, I plan to do my broadcast Tuesday evening -oh! that's tonight!- and then buckle down and figure out the figures for a few days.
Am I the only one who's waited until the last minute to do her taxes?? Send encouragement, send caffeine, send chocolate!
Commission- bound for Ireland
There's such a great story that goes with this painting, but I think I'll need to wait until I deliver it to the wonderful fellow who commissioned it ...in Ireland... to tell you more. I'm giving myself the gift of 12 days in Ireland this June, where I'll take a week's workshop with Robert Liberace. I'll be flying in and out of Dublin, where the man who commissioned this painting lives, so I'll get to hand it to him personally rather than shipping it. He gave me a photocopy of a newspaper clipping from 1961 when this girl was 17. I'm to paint her with hazel eyes, brown hair, blue and white necklace and blue outfit. Since there's no outfit in the photo, and 1961 leads me to think of Jackie Kennedy, I thought I'd put her in a boxy little double-breasted jacket. I think the necklace will have to hang lower. Anyway, this is as much as I was able to get painted in the two hours I got to paint at the end of my day at the gallery today. I see many corrections to make, but thought it was a good start. Three of my framed paintings sold today! Two landscapes- the pastel, "The Perfect Lemon" and the oil, "Italian Door." And my oil still life, "Tea With Sugar And Lemon. " The still life is going to Australia to hang with the buyer can look at it while she has her tea. Ah. The landscapes are going to Atlanta to be enjoyed by a neat couple I spent a nice while talking with this morning. I'm happy today.
Progress on two 8x10 oil portraits
I've worked on these two portraits during my online broadcasts last night and the night before. I'm pretty close to done with the little boy, perhaps. I'll take some fresh looks later. The little girl is just blocked in for now, and I haven't decided what to do about her dress yet. I thought I'd post the progress images especially for those who kept me company as I painted. Bless you!!
Finish of Samy's portrait
I finished the portrait of Samy today at the gallery. It was so good to paint again there. Before yesterday, it seems like it had been weeks.
Today there was a Festival of India in La Villita, in Maverick Plaza next to me. So I got to have a wonderful lunch of sag paneer and rice and was enjoying all the bright saris and the music... when suddenly a very loud rock band started up on the other side of the gallery in the garden of a restaurant there. On top of that, another South American band, complete with those great Pan flutes and xylophone-ish instruments started playing just on the other side of the church on my courtyard. Yikes! It was a great cacophony and I just had to breathe through it and focus on conversation with my visitors.
I know I've mentioned before how much I enjoy talking with the visitors to the gallery, but let me tell you again. This world is just chock full of the nicest people! I learned about Bernese Mountain dogs from a fun woman who is a dog show judge, met a wonderful woman who's a sculptor and lives in a nearby town, talked with several lapsed artists who left the gallery encouraged to practice their arts again in some way, talked with many, many parents who were on a Spring Break vacation with their children and talked with many children about their drawings. On top of that, I got to paint the last three hours of the day! Life is good.
Out of the blue...portrait sitting
Oil, 10 x 8
While at the gallery yesterday, I was setting up to work on the portrait of Samy and a fun couple from Colorado Springs walked in. The fellow immediately got the idea I should paint his wife, Susan. Right now. Susan protested. Her hair, her shirt, no, no, no. But her husband urged, reasoned, sweetly bullied. Somehow, he persuaded us both to cooperate. As I was organizing the easels and chairs for this new plan, he tells me that she's celebrating a milestone birthday and I guessed 50, but it turns out she's turning 60! I then learn that she's recently retired from 35 years of teaching music, and that she's a painter, herself. So we started in on the portrait and had a very nice conversation, with her husband cheering us on with "You've nailed it!" and "You're going to love this!" all the way through. I had to get up a couple of times to handle some card and print sales, but we finished up 90 minutes after we started. Susan declared the painting wonderful. You know, I need a bit more of this in my life. I LOVED having a live model. I'll keep the portrait until it dries, then varnish it and when that's dry, I'll ship it off to Colorado Springs as a reminder of Susan's 60th birthday in beautiful San Antonio. Ah.
Artist- Start Your Blog! Workshop, May 3, 2009
I'm not a "techie" by any means, but I can show you what I know about starting and keeping a blog. It's the single most effective means of marketing/communication/networking/showing of my work that I've experienced. Blogs are free and worth many thousands!
A one-day workshop to give you what you need to-- Start your blog.
- Understand the basics, and many of the bells and whistles.
- Create a slideshow of your art for your blog.
- Start a mailing list with a subscription form on your blog- send to each post or periodic newsletters.
- Add PayPal buttons to your work on your blog and be paid directly.
- Add a visitor counter to your blog to see details about visitors and who refers them.
- Know basic blog ettiquette.
- Network and make new friends all over the world!
$50.00, May 3, 2009 at Tres Amigos restaurant- 1801 S. Capitol of Texas Hwy, Austin, Texas
9:30 a.m. -1 p.m., mid-day break (to allow pickup of paintings for end of show), 3:30- 5:30 p.m.
Contact me at susan@susancarlin.com for more information and to reserve your spot.
You may bring a wireless laptop if you like, but it's not necessary. Breakfast, lunch and dinner available with notice.
More progress on portrait of Samy
I spent a few hours tonight moving this painting along. There are still things to do, but I'm starting to breath a bit easier. Thank you for holding positive thoughts.
Website Redesigned!
Thank you to my smart and talented sister, Patty Cooper, for turning my ugly duckling website into a thing of pride. Check out www.SusanCarlin.com and see if you agree. I still need to cull out paintings and put up a few newer ones, and there are some other ideas I hope to add in the future, but I do like it SO much now.
If you could use some expertise with your website, you can talk it over with Patty: patty_cooper@hotmail.com
Progress on Samy
Well, it's coming. Thank you to those of you who kept me company tonight while I painted! You're the best.
Revamp of painting from last year
I'm trying to put some new "sample" portraits up in the gallery and thought I'd try to improve this one that I'd started last year, but set aside due to some drawing and temperature issues I had with it. I like it much better now. The image below is the "before":
Cute enough, I suppose, but the hat didn't sit on her head correctly, and her face was warm and warmer, with no ochres or blues.
Below is the reference photo- perhaps an oft-used image from the reference library at wetcanvas.com:
Start on Samy -oil portrait commission
16x12 oil on stretched canvas. Just two and a half hours in, but managed to get it sort of blocked out. I debated whether to delete this image, as I see many many corrections that must be made, now that I've moved back and taken a good look. The high key values and the little contrast of the photo are making me want to put in contrast that isn't there, so I'll have to watch that. Thank you for the good company as I painted!
Reference for online painting at 6 - Samy
I'm starting a commissioned portrait tonight at 6 p.m. CST www.ustream.tv/channel/susancarlin
Come on by!
Workshop wind-up
Italian Door 8x6 oil This one was fun. I haven't painted much architecture, but this made me want to try more in the future.
Morning Paper 14x11 oil This is the finish of the one I posted before.
In full disclosure, I almost posted the photo of this painting:Riverwalk 6x8 oil But it's a dog. A small, ugly dog. Will be sailed as a frisbee into the trash. You would've been as horrified as I was. Trust me.
Workshop report
This is the little 6x6 pastel from yesterday. I've painted this scene before in oil somewhat larger and wondered if I could pull it off smaller.
This made me so happy to paint today. 10x8 pastel. It's of my Mom and Dad last May walking through Walmart looking for work gloves. A moment before they were holding hands, but by the time I got my camera out, this is what I saw. I moved them up a bit within the borders of the painting so I could paint the longer reflections of their legs.
This is the beginning of a 14x11 oil I started today. I'm working at simplifying shapes and softening edges, so wish me luck and wisdom in that effort.... I'm glad Desmond doesn't mind me working in oil. He says most of his workshops are offered to both oil and pastel painters, as I do in mine. I'm enjoying the company of the other artists this weekend. Hope you're having a good weekend, too!
Desmond O'Hagan workshop- 1st day
Desmond O'Hagan is a terrific painter and is giving us (the Austin Pastel Society) a three day workshop at the Windberg Art Center.
Jo Castillo took this photo of me working on my first painting of the day.
Perfect Lemon, 9x12 pastel
After the above painting, I did another 6x6 pastel of Casa Rio on the Riverwalk, then started an 8x10 pastel of my parents (from behind) as they walked through Walmart looking for gloves. Desmond has given me his permission to work in oil, too, during the workshop, so I think I will switch to oil after the painting of my folks. Desmond's focus is painting more simply, more loosely, which is always helpful to attempt. I'll let you know how I do.
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