Portrait Workshop with a focus on Drawing Skills - January 17-18, 2014

Registration for this workshop is full. If you're interested in my future workshops, please email me!

If you've been looking for a chance to work on your skills in portraiture, whether in sharpening your drawing ability or in working out those flesh tones in your painting, come spend two days in November- Friday and Saturday, the 8th and 9th with me.  We're keeping the group small so each artist can be assured of plenty of personal attention.  I hope you'll join us!

Place: Harold's 
2743 Roosevelt Ave, San Antonio, TX 78214

Cost:  $150. 

Time: January 17-18, 2014
9:00- 4:00 with an hour break for lunch... bring your lunch and work on through, if you like!

Feel free to use your regular palette of colors, but if you'd like a recommended supply list, just email me: susan@susancarlin.com.

Final Touch, oil, 28 x 22 (Not Schmid)

I painted most of this painting almost four years ago.  I painted it online during my at-least-once-a-week livestreamed sessions and one of the artists who joined me via the chat function mentioned that the subject looked somewhat like Richard Schmid.  From that point on we referred to the painting from then on as "Not Schmid".   I still think of it with that title, to be honest.  But officially it's titled "Final Touch"... for a couple of reasons:  1) Even though the model (a nice man who did me a great favor to pose for many, many photographs) was not holding anything during our session, I gave him a paint brush in the painting. To me he looks like he's doing what all artists do toward the end of a painting- staring/seeing critically and deciding if it's time to sign it. And 2) I put this painting away just before finishing because I was puzzling too long on how to handle the shadows of his chair on the floor and wall and needed to get on to other paintings. Time passed. Other paintings were painted. About six weeks ago I pulled Not Schmid out and suddenly knew what to do about those shadows. I put on my Final Touch/es and framed the fellow up. He's watching over my shoulder in the gallery now.   A critical-eyed guardian angel.  I like him.