Susan Carlin Art Journal

Getaway, oil, 30"x24", black floater frame. $1200

Drawing, graphite, 10"x8"

Drawing detail

Although Whistle Stop Corner still occupies most of my waking hours (and probably most of my dream time, too), recently I've gotten the chance to paint a bit and to take this drawing commission above. The loving wife of the man on the left (viewers' left) commissioned me to make a drawing of him with his late father for Father's Day. The patio in background has some significance for them, so was requested to include the roof detail. I've heard that it was received with love and appreciation.

The (large) painting at the top is of a little cove along the western coast of Ireland from my time there in 2010. I long to spend many weeks in the future exploring that beautiful, beautiful country.

Since I've posted last (I'm embarrassed to see that it was in November... blush), we've traveled to Istanbul in April and got to take my dad with us this time. It was a special 10 days of family, tulips, ancient architecture and a visit to Istanbul's incredible Modern Art Museum. I'm in love with that city.

WSC is coming along... We now have new wiring everywhere: we can finally just flip on a switch and SEE. Very exciting, believe me, to roll up all those extension cords and put them away. A couple of non-weight-bearing interior walls have been demolished and new ones framed in on Saturday. We still hope to be ready for our first painting workshop in the former grocery store's space in the fall, but have decided not to make ourselves any crazier than we already are by scheduling anything before it's ready to go. The cottage now has working lights and outlets as of yesterday. We have our second tenant in Apartment 3. Our friend Diana came over Friday evening with her tools and before long she had all the blinds installed in Apartment 2. Things are progressing, we remind ourselves. Before long the vision and the reality will look very much like each other.

I've gotten some of the sweetest messages from a few of you who let me know I'm being missed. Thank you, Dear Ones. I look forward to rejoining this good community when we can come up for air. In the meantime, I'll post as I'm able! Sending love....XOXO

Safe With You

This large 36" x 48" oil painting on stretched canvas is a departure for me. I enjoyed the experience of painting a simple concept just for myself. Ahh.
Haven't framed it yet, but it's drawn lots of positive comments from visitors at the gallery - always nice to eavesdrop on.

Thank you for dropping in on my blog!

September 30- One Day Portrait Workshop

One Day Portrait Intensive Workshop with Susan Carlin

for both oil painters and pastel painters.

Whether you've painted hundreds of portraits or never have had the nerve, spend the last day of September moving your skills forward!

Sunday, September 30, 2012

Nueva Street Gallery

in La Villita, San Antonio’s Historic Art Village by the Riverwalk.

507 E Nueva Street, San Antonio, TX 78205

Workshop limited to 15 artists.

$100.

Please arrive 8:30-9:00 a.m. to set up. Workshop will begin at 9:30.

Morning session– 9:30-12:30

Lunch 12:30-1:30 Bring your lunch or lunch on the Riverwalk

Afternoon session– 1:30-4:30.

We will be working from your choice among photographs I will provide.

Further details- supplies needed and parkng information, etc., will be sent upon registration

We’ll work our tushies off, learn a lot and have a blast!

Gallery: 210-229-9810
Nueva Street Gallery
507 E. Nueva Street
San Antonio, TX 78205

www.nuevastreetgallery.com

email: susan at susancarlin.com
Cell phone: 210-602-8562

Happy Freedom

New Schwinn Admiral 700c at Whistle Stop Corner

Parked at Nueva Street Gallery- Sculpture?!

If you could see me right now, you'd be blinded by my big grin.

The thing we kept saying when we found the property that would become Whistle Stop Corner is, "We can bicycle to work!" And this week we have finally begun!

First, I did my usual uberFrugal thing... and consulted the listings in Craigslist. We met a man at a parking lot midway and I jumped right on the blue bicycle he was selling for oh-so-little. Even though I'd noticed that he'd Armor All-ed the heck out of the tires and even though it was an asphalt lot at 2:00 p.m. on a hot late-August day in Texas, I still took the first turn too sharply and the slick tires slid across that hot asphalt and I went right down on my keister. My pride was the biggest thing hurt. My keister was the next biggest thing. Oooch. But I paid the man and rode it to work the next day. Imagine my glee!  I did love the idea of the bike, but not the actual bike, turns out. I still found myself looking at bicycles online. Apparently I had not married the blue bike... we were just dating.

On Sunday I found The Shiny New Schwinn. I also got Accessories: a cute white wire basket that comes off and has a handle for carrying, LED headlight and taillight, a Dddling-dddling-dddling bell, and a Kryptonite bike lock.  She's white with red lettering, red sidewalls and red piping on the seat and red cross stitch on the grips. She's a rolling peppermint! Hey, that's a good name for her, don't you think? Peppermint, it is.   I have an electric bike, too, named Peggy Sue:  the down-home version of Pegusus... get it? ;-)

It takes 10-15 minutes to get to Nueva Street Gallery or to get home to Whistle Stop Corner, depending on lights and those minutes are spent smiling and saying Good Morning and Good Afternoon to everyone I pass, feeling the self-made breeze and the freedom and instant time travel to my youth.

My happiest Christmas was 1966 when I was 11 and my parents gifted my sister and brothers and I with new Schwinn bicycles. Mine was pink and white. I loved it so. It put wings on my sense of freedom and expanded my territory in a big way. I'm 57 now and still can appreciate that feeling.
What does this have to do with painting or art? A happy artist makes happy art? Another action taken to fulfill our dreams makes us more of who we are? I don't know... It does feel like it's part of my dream as an artist somehow.   It's also less gas used and fewer parking fees paid... always good. But a sense of happy freedom - The BEST.

Still Kickin'

I'm pretty sheepish about how little I've posted to my art blog, even though friends have assured me they understand. I do miss it, though! I miss the connection to my artist friends which I always felt when we commented on each others' work, encouraging and acknowledging each other's efforts. I'm looking forward to feeling that again soon.

Also, we've posted to our Whistle Stop Corner blog today, since WSC has gotten all our time and energy lately. A wonderful article was just published about our venture, which you might like to read here.

Please don't give up on me if you've been checking in here occasionally for news. I'm still kickin' and I can't wait to renew our friendship!

The Secret

The Secret, oil, 11"x30"

My life for the last 5 weeks has been a whirlwind of pre-rehab demolition, chatting with visitors at the gallery, shipping artworks off to their homes and businesses, hosting my father for a week while he helped with drywall removal and pulled thousands of nails from the wood beneath, watching numerous episodes of "Income Property" on HGTV which we record to watch when we drag home and collapse on the sofa in the evening. I hope you can picture me grinning ear to ear! I've only gotten to paint in spurts during this time and thought I'd show you a couple of paintings I like a lot. The one above is an idea I've mulled on for about four years. The little girls who modelled for my reference photos were wonderful. I'm considering a series with this theme. The Secret sold so quickly I didn't get to enjoy it very long before it went off to Connecticut along with the portrait I painted of John Pototschnik, the landscape painter from northern Texas.

Detail of McCaul- commissioned portrait, oil, 16"x20"

The one above was a commission for a fellow in Ohio who wanted to surprise his wife with it. I hear she liked it very much. So did I. I made a few requested changes- shifting her gaze to the viewer from the reference photograph's gaze of up and to the viewer's right. I also did a bit of simplification of her outfit.
I have a few more commissions waiting, then- watch out! I'm bursting with a need to paint landscapes. Brace yourselves... they're on their way!

An Anniversary and A New Adventure

Today is an important anniversary for me, and also the day we're launching a new adventure.

Four years ago today, I opened Susan Carlin Art Studio And Gallery after retiring from my 22 years of practice as a chiropractor. That February 2nd, in 2008, marked a thrilling return to making my living as a full-time painter and, for the first time, a gallery owner. A year and a half ago, in September of 2010, I dove in deeper yet and traded up to a much larger gallery and to representing now over 20 other artists. I have a busy schedule of commissions and spend my days in activities related to the making of art and to helping artworks find the perfect people to love them and take them home. You'd think that would be enough to keep me occupied, right?
Well, I'm diving in much deeper yet again.

Today, February 2nd, 2012, my partner and I have purchased a property with three buildings, one built in the 1920s- a grocery store for over 70 years (seen above), and two built at the end of the 1930s- an apartment building with eight garages, and a tiny cottage. All three have been boarded up for ten years, just waiting for two artists with VISION to come along. If you'd like to see and read a little more, please hop over to our blog we've started to chronicle the revival of these special buildings and the creation of an event center which will host art workshops, the making of a guesthouse for the lodging of artists who attend them, and the evolution of an apartment building, from a retro past to a high-tech present: "retrotech" residences.
All three make up Whistle Stop Corner!

Sketches of my new family in Istanbul

Bedriye, Halide, Hande, Sacide, Nilgun, Neslihan, Aslihan, Nadide

This series started as a quick sketch of Aslihan, Ugur's beautiful 12 year old niece, second from the right on the bottom. Within a day or two it became a series of all the women in the family... except Ugur. Guess I'll need to rectify that soon, right?

I love to sketch. These days, sketching has become simply a cursory prelude to a painting, though. I need to remember how delicious it is to simply sketch.

Robin- the finish of a commissioned portrait.


Robin, oil 16 x 20

I'm so pleased with this portrait. Robin was a firefighter who lost her life fighting a fire in 2008. She left behind two little girls and loving parents. Her mother commissioned the portrait and was gracious about waiting several months for my schedule to allow me to paint Robin for her.

Robin's smile must be missed every day. Every time I paint a portrait I feel as though I've gotten to know the person I've painted... I spent so many hours looking into her eyes, I felt privileged to have been smiled at like that.

My love to Robin's family.

See the start of this portrait in previous post.

I'm alive and well, and starting a new commission...

Start of commissioned portrait- Robin.

July was the last time I posted, for heaven's sake. Thank you to those of you who wrote to check on me. Between my daughter, the gallery and commissions and traveling, some things had to wait, and my sweet blog was one of them. I'm so glad you came by!

Yesterday I got to start a new commission- a lovely woman named Robin. I decided to broadcast live as I painted so I could have some company through the process. Several friends popped into the chat room to watch and talk with me- always wonderful. This image above is a work-in-progress image just two and a half hours into the 16 x 20 oil. It's fairly thinly painted so far, as my objective was just to map out my values and work toward her likeness, and get the white of the canvas covered.

If you'd like to watch the broadcast of the beginning of this portrait, it's in two parts:
part 1 (about 45 minutes)
part 2 (about 57 minutes)

I'll try to post the image of the completed portrait when I've finished.

Over these first 14 months we've owned the gallery, Ugur and I offered each of the gallery artists a show- a chance to showcase their work by showing more pieces than we are usually able to show, and we've had a reception to kick off each exhibition. Right after Thanksgiving, it'll be OUR turn. Wait!!! That means we need new work. (She panics.) Between now and the end of Thanksgiving, I actually want to experiment with new subject matter and new painting processes, and right now I only have sketchy ideas for those new paintings. It's kind of exciting, actually. Only part of the excitement is panic. (Ok, a big part.) But I'm actually very interested to see what will happen when I step out some of my patterns of limited thinking. I'll let you know how it goes!

"If I Weren't So Stingy..."

Glorious Gold

This is how one of Julia Cameron's questions begins in her book THE ARTIST'S WAY. The question is: "If I weren't so stingy with my artist, I would buy her/him..." The reader is supposed to finish the statement.

Boy, that really struck home when I read it the first time many years ago, and each time since.

Reclining Nude

I'm awfully stingy with the child-like personification of my artist self. Although sometimes I take her shopping and buy her new tubes of paint, that's usually prompted by a great sale, not by timely need. I can't tell you how many hours I've spent comparing cool travel easels online, deciding which accessories I could live without and then end up not buying one at all. I still own- and use- the wooden French easel I bought when I was 21. I turned 56 today. A little subtraction will reveal how many years I've traveled with that box. All the hardware desperately needs replacing.

It took me until this year to buy the metal spirits can with the clamp-on lid I've wanted since I started painting in oils. And I only got it because it was in Jerry's Artarama's Deep Discount Super Sale.

Stephen and Ben Wenzel

Just today I dug all the sticky tubes out of the disreputable lunch bag I've been using to hold my paints and organized them in a VERY inexpensive (No, really- $6.98) plastic tackle box from WallyWorld. Well, at least I don't have to scrabble around and dig through the tubes to find the one color that's sure to be on the bottom and be the stickiest of all.

My frugality is a sickness. And it's deeply, deeply ingrained.

In contrast, I see fledgling art students come to their first class or workshop outfitted to the teeth. They've researched and bought the best. The best easels, best brushes (I could eat for three months on what some of those brushes cost), the best paints and a shiny new spirits can with the clamp-on lid. And they've never painted anything yet! I sometimes wonder if they think the expensive supplies will paint the painting FOR them.

Online Workshop Painting

Somewhere between my stingy sickness and the stupendous supply splurge is some kind of healthy approach to equipping our child-like artist selves. We need toys. Okay, it's more like: WE NEED TOYS! I know, I know, a cardboard box could entertain us as children for hours, but eventually we needed crayons and fingerpaints and an Etch-A-Sketch and a computer with image-editing software. We need time to make messes and "waste" paint. We need a palette knife so we can ladle on the gooey goodness of great color. We need canvas and gesso panels and we need them in every size. We need to scrape off the old dried-up paint from our palettes and squirt generous dollops of each color onto our fresh surface well before the time we actually need that color. We need a few decent brushes. We need paint that does not have the word Hue in the name. (Ok, I still have a few of those...) We need to SHOP.

Let's wrestle to the ground and hog-tie our sickening stinginess. This year I'm going to buy a great travel easel..... I am, SO!

Happy Birthday to my child-like and worthy inner artist!

Finding Time To Paint (Write/Sculpt/Create anthing...)

I was going to paint today. No, really. I was.

The cute couple who are the subjects in my current portrait commission are on my easel right now looking at me as if to say, "Come paint our hands now. And how about clothes, for Heaven's sake?" I've looked back longingly and apologetically in return, but have not painted. I've vacuumed the gallery, taken photographs of two children for a portrait later in my schedule, sold a print, a bracelet and some cards to visitors, discussed the possibility of representation with an inquiring artist, eaten lunch -a bite now and then as I could dash into the kitchen between visitors, and I've composed this newsletter to send out to you. I haven't painted.

I think I know why: I was taught to do my chores first and then play. Like I was taught to eat my spinach and clean my plate before I could have dessert.
Because painting is the funnest thing ever, I think I have to earn it. I have to deserve it- I have to do my chores and eat my spinach first.

But what if you make a living doing what you love? The rules get all tangled up in our heads. Is painting (writing/sculpting/playing music/designing, etc.) now the play or the chore? I can't tell you how many times I've heard, "I wouldn't want to paint for my living, because then it would be work, not play."

It's never worked that way for me. Painting is the funnest thing, whether I'm painting a commissioned portrait or painting something of my own conception. Getting paid to do it is an added layer of joy, not something that transforms the process into drudgery. So, what's the solution, you ask?

I think paintings get done when I schedule them in like they're important, too. Women especially "get" this, I think. We're learning to schedule ourselves into our own days along with the tasks of home and work. It's intention backed up with actually writing it down. Between "Do the laundry" and "Bank," you write "2:00-3:00 Paint."

To REALLY make sure we do it, we can tell a friend what we intend and then plan to call that friend to report in once we've done it. Learning to be accountable to ourselves is easier when we use our natural urge to be accountable to others.

Deadlines are fabulous motivators, too. Painting for a specific competition or for someone's birthday gift or because you agreed on a certain due date with a client... all can light the fire under us to align ourselves with our easels and get started. Waiting for the muse isn't smart. The muse shows up when we've got a smudge of Cadmium red on our right cheek or when we've lost track of time because we're typing fast and our brains are full of the story we're telling.

So... it's time to close up the gallery and I'm packing up the cute couple to take home with me. I've promised them hands and clothes. And I keep my promises.

One-Day Online Portrait Painting Workshop July 2, 2011

Study with Susan Carlin… from home.

Move your portrait painting skills forward with a

One-Day Online Portrait Painting Workshop

Saturday, July 2, 2011

$60. tuition includes video pre-instruction, day-long workshop, two assessments of your work-in-progress during the workshop, with suggestions for how to proceed, and one assessment-and-suggestion session a week following the workshop. REGISTER NOW!

With registration, and at two weeks prior to the workshop, you will receive:
• a high-resolution image file of the workshop reference,
• a supply list,
• the address and password for the website where you may watch the pre-instruction videos, and where the workshop will be held.
The day of the workshop you will receive:
• instruction in the art of painting a portrait,
• two assessment-and-suggestion critiques of your painting, if desired.
One week following, if you take that time to put finishing touches on your painting, you’ll receive:
• a third assessment-and-suggestion session.
By registering early, you’ll have plenty of time to carefully complete your sketch on your painting surface in preparation for beginning the painting on the day of the workshop.
At 9:30 Saturday morning, July 2nd, I will discuss my process as I start from a white canvas panel and paint the portrait as you follow along and paint from the same reference.
At midday, you may take a digital photograph of your painting and email it to me so that I can put it on screen and discuss what is working well and how you might improve it when you resume painting. At this time you’ll see the paintings of the other artists attending the workshop, and get to know them better through the chat as we discuss each other’s efforts.
We’ll paint again until 4 p.m., completing our paintings. Again, you’ll send me a photo by email for assessment and suggestions. When we’ve completed those, we say, “goodbye and well done!” A week later, July 9 at 10 a.m., we meet up again for another assessment-and-suggestion session for those who’ve painted further on their portraits that week. We celebrate our accomplishments!

What you won’t have to do when you register for this workshop:
• Pack up your art supplies and carry them anywhere. (Savor this one… Ahhhh…)
• Find someone to feed your dog or cat… or spouse.
• Drive to another city.
• Pay for a hotel room.
• Dress up. Or dress at all. (Stay in your jammies… who will care? Ahhhh….)
If you would like your final painting’s image to be posted on my blog (with or without a link to your site), there will be a $10. fee option at the end of the workshop. I’d love to show off your work!
I hope you’ll join us for a fun, heart-racing day of painting your socks off!
REGISTER NOW!

Living An Artist's Life

I admit it.

I've never been so happy. People notice. Sometimes folks ask me about my life and then squint at me while I answer, like they're seeing through some dense fog, trying to imagine such a thing as doing what you love... and making your living doing it. I’ve watched one or two walk away obviously unconvinced. It just "does not compute" for some.

I didn't always do what I loved, though. I held myself away from this challenge and this pleasure and the artist's life for years and years...

I told myself I’d get back to my art when I retired, when my daughter was grown, when my To-Do list was all crossed off, when I could build a studio first, when I could find a whole, uninterrupted day/week/month to devote to it, when I owned all the right supplies, when I could be guaranteed up front that I would be successful at it, when I knew for sure that I had something unique to offer, when I could stop being afraid of failing, when I could stop being afraid.

All those excuses, all that fear only served to keep me doing the thing I was less passionate about and kept me afraid. This fear starts early. I have spoken to hundreds and hundreds of third-graders as the representative “fine artist” in an arts program of a local school district, and I can count on at least one child per class asking, “What if you make a mistake?”

Oh my. This is the truth of it: almost every other brush stroke is a “mistake.” You lay one down, you assess how closely it came to the value/color/direction/ thickness/sharpness you had in mind. If it varied too far from your intention, you mix more paint and lay another one on top of it. Then you assess that one. Then you repeat that sequence until you have a finished painting.

It’s just paint.

Or is it? When you think of what painting (writing/drawing/sculpting/playing music/etc.) represents to someone who is a ‘derailed’ artist, or an artist who is learning a new medium, or a new artist, or someone who is not sure she CAN BE an artist at all, it’s a whole lot more.

It’s being willing to step outside of the safe, the ordinary, the approved, the sanctioned, the tried-and-true, in order to take risks and be vulnerable and unique and authentic and experimental and audacious , expressing to yourself that time spent making art is valuable… valuable to you and perhaps even to others down the line.

When I started to paint again and then to show my new work to friends and patients, then to strangers, and then to take commissions and then to enter shows and then start a blog and a website to show my work to a wider circle yet, then to open a gallery… the very process of facing my fears, one brush stroke at a time, has made me braver. Every painting has made me a more experienced painter.

I’m now voracious in the never-ending process of adding to my skills and the range of paintings I make. I see potential paintings everywhere and in everyone. There isn’t enough time in the world for me to paint every painting I want to make.

Over this last year and a half I’ve been facing an enormous fear. I’m learning to dance. I’m taking classes, I make mistakes, I make a fool of myself, I apologize to everyone I dance with, but I’m learning. And sometimes I can make it all the way around the dance floor or get through a whole song and feel the magic of turning in step and moving to a beat and cooperating with a dance partner. I still feel fear, but I dance all the way through it. Isn’t that the way of it?

I encourage you to live the artist’s life: Create something for yourself today. Lay a stroke down. Write a sentence. Play a note or two or three. Dance a little. Dance a lot. Feel the fear and then do it anyway. You’re the artist of your life.

Life is good.

New Website Up! Reception: Constance Seiler & Tim Olson Sunday, May 1st

Howdy! I'm so proud of Nueva Street Gallery's new website. Ugur did an incredible job designing and piecing together all its thousands of parts. I hope you'll take a minute to poke aroud and see the artists' work. I think you'll really understand why we're so happy to be there each day. If you fall in love with an artwork, there's a way to make it your own.

THEN I hope you'll plan to come to our reception for two of the gallery's artists: Constance Seiler who designs and makes beautiful jewelry, and Tim Olson who creates magical mixed media artworks. Artists, art, refreshments and champagne on a spring Sunday afternoon in San Antonio's La Villita by the Riverwalk... Can it get better than that?

I'm busy at my easel with a full list of portrait commissions these days. I've decided to release myself from the rigid schedule of Wednesday evening online painting broadcasts, and go to a looser, as-the-spirit-moves, impromptu approach. If you'd like to be notified when I'm online painting, please subscribe on the Studio page on the new website, or on the Calendar page on my personal website. I hope you'll join us sometime... it's always fun.

See you online and on May Day!

Susan

www.nuevastreetgallery.com

gallery@nuevastreetgallery.com

507 E. Nueva St.

San Antonio, TX 78205

210-229-9810

www.susancarlin.com

susan@susancarlin.com

www.ustream.tv/channel/susancarlin

210-602-8562

Salon International Opening

When I arrived for the Awards Banquet on Friday evening, I was delighted to find it had been sold that day. Don't you love a big red dot on your title tag?! What a nice way to start the night!

Daniel Greene was the judge of this year's Salon. He gave an inspiring speech during the banquet.

Saturday morning, Mr. Greene offered his critiques to those of us who took advantage of his observations. This is the master's hand commenting on Wide World. Doesn't she look a little apprehensive? Imagine what the artist was feeling!

The reception Saturday evening was just wonderful. Good friends came to help celebrate - Thank you! I also loved celebrating with the other artists - some old friends, some new- and taking in the the beautiful paintings. There isn't any way to absorb them all in one day or two, so I'll being going back several times before the ending of the show on April 22nd- to try to really see each of them. If you can make it to the Greenhouse Gallery before the end of the show, I really recommend it. You can also see the paintings online here.

Wide World is one of the 22 paintings from the show which have sold so far. Cool, right?

Workshop Report: Pictures of Pitchers

Wow! What a day! We had a great group of artists-from Ohio, Florida, Arkansas, Illinois, Nevada, North Carolina, Tennessee, Georgia, Connecticut, Texas and two from Canada. I'm so proud of each of them and the terrific work they did on Sunday. We're all going to finish our paintings in this next week and meet up online for one more show-and-tell/"assessment and suggestions" session, but I thought you'd like to see how we all did by the end of our workshop day. WooHOOO!

Champagne Reception- Nancy Bandy: Cloud Nine

Please join us for our reception of Nancy Bandy and her newest pastel landscapes... Or CLOUDSCAPES, if you will. Heavenly.

Thursday, March 24, 5-8 p.m.

See you there!

Online One-Day Painting Workshop and Online Broadcast Schedule Change

Register for my Online Still Life Workshop by clicking HERE.
Sunday, March 20, 9 a.m. – 4:30 p.m. $50.

Paint along with me as you watch me paint in oil from this still life arrangement. You can ask questions along the way, and twice you'll have the opportunity to email me a photo of your progress so I might offer my assessment and suggestions, and therefore see the other painters' paintings, too.
Before the workshop, I’ll send you a supply list and the high resolution image file of our reference and you’ll have time to complete your drawing before we start painting.

I'll spend some time discussing principles I consider when setting up a still life and we'll paint the whole painting together in the course of the day. You’ll have access to the video recordings of the workshop afterward to review.

You just need good internet access next to your easel and a digital camera to send me your photos.

Where else can you spend time painting with others, learn a lot, have so much fun, not have to carry all your equipment and supplies somewhere, and do it all in your jammies, if you like?! No matter your skill level, I think you’ll learn a little something and have a good time, so I hope you’ll join us. Register.
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A change in my Online Broadcast schedule…

I’ve been painting at 7:00 p.m. on Wednesdays for quite a long time now. Starting tomorrow, I’m going to try out a different schedule: 3-5 p.m. on Tuesdays, broadcasting from the gallery. I hope you’ll come by and chat with me while I paint! http://www.blogger.com/www.ustream.tv/channel/susancarlin
Below is the painting I’m working on now… A landscape, for goshsakes! It’s a cliffhanger…